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In this episode, Daphne discovers that Simon is capable of having children, despite previously believing that he wasn’t. (A bold statement, considering what Harry and Meghan endured as an interracial royal couple in our modern times.) While it’s an admirable fantasy, the show’s general unwillingness to acknowledge racial differences still sours this dream of historical racial harmony, and no more so than in Episode 6. The social impact of race is rarely explored in the series, save for a scene in which Lady Danbury (Adjoa Andoh) lectures Simon on the vagueries of love curing racial tensions when the queen married the king. When home girl said love conquered racism & elitism… /JkmhxZQrK2 And despite Rhimes producing the series, its head writer Van Dusen is white. The novel featured no characters of colour and its author, Julia Quinn, has a shady record when it comes to diversity. While Van Dusen may claim they were intentionally trying to avoid this approach, Daphne and Simon’s romance suffers from a lack of respect for the complex racial dynamics between Black men and white women.īridgerton was never a story conceived with the nuances of interracial relationships in mind. Iesha Small (“eye-ee-sha”) January 2, 2021Ĭolourblind representation in media only runs skin-deep and, in the long run, still upholds subtle forms of racism by pretending race does not exist. But the script also needs to acknowledge that in some way particularly given the societal backdrop at this period and not necessarily in a clunky or moralistic way. #Bridgerton is a perfect example of how visible racial diversity is lovely (Mostly black and mixed black here). More often than not, it’s a tactic used to avoid discussions of racial experiences, by ignoring race altogether. It stems from the claim racism is no longer an issue - an ideology that became popular in the 2000s after Barack Obama became President of the United States.
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However, the series took a predominantly colourblind approach, wherein the race of each character rarely impacts the story in any intentional way.Ĭolourblindness in media is the practice of presenting race as the least important element of a story or a person. I love the fake-dating trope as much as the next lovesick nerd - especially in a regency drama portraying the period to be as diverse as it was, imagining a history where Black people, POC, and white people were considered equal in class, thanks to a Black queen. In its first four weeks, Bridgerton is projected to court more than 63 million households, which would make it Netflix's fifth biggest original series launched to date. The main storyline centres on the romance between Daphne Bridgerton and Duke Simon Basset, after their plan to pretend to be courting backfires when they actually fall for one another. Voiced by Dame Julie Andrews herself, Whistledown jump-starts the narrative whenever the plot thickens too much for its own good. It’s a cultural melting pot, narrated and gleefully stirred by the mysterious Lady Whistledown and her gossip column. Based on the best-selling 2000 novel The Duke and I by Julia Quinn, produced by Shonda Rhimes ( Grey’s Anatomy, Scandal), and adapted by Chris Van Dusen ( Grey’s Anatomy, Scandal), Bridgerton follows an ensemble of horny characters and their drama, owing to regency sensibilities concerning sexuality, sexism, class, and race.